{"title":"Zines","description":"Books \u0026amp; Zines","products":[{"product_id":"a-punkhouse-in-the-deep-south-oral-history-of-309-cometbus-satterwhite","title":"A Punkhouse in the Deep South: Oral History of 309 (Cometbus \u0026 Satterwhite) Book","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003eAt their best, punkhouses are a shelter from the storm of society and our dysfunctional families. At their worst, they are a sweltering atmosphere of combative, didactic exclusion. Aaron Cometbus and Scott Satterwhite (CIA Makes Science Fiction Unexciting) collect illuminating and fascinating interviews (Terry Johnson, Rymodee, Gloria Diaz, Skott Cowgill, more) with the residents of the oldest, continuous punkhouse in the Southern U.S. A hub of radical counterculture, 309 served as a place for artists, musicians, radicals, and antiracists to organize, build a body of work, and ultimately impact the world around them. As Aaron wrote about previously in the fictionalized stories of I Wish There Was Something I Could Quit, trains full of war supplies used to rocket past 309, tucked quietly in the Gulf Coast, hugging Florida and Alabama. There, the residents tried to build they wanted to see, creating a queer, vegan alternative to protect and defend the marginalized as the world shifted and structure dilapidated over the past 30 years. The book also includes photos by Mike Brodie and Cynthia Connolly and first-hand accounts of idealistic efforts like the End of the Line Cafe, the band This Bike is a Pipe Bomb, numerous zines, a house band feud, and feminist support groups. As always, without even being traditionally trained, Aaron and Scottie successfully preserve the culture that they have lived for decades. Microcosm Publishing.\u003c\/div\u003e","brand":"Dead Broke Distro","offers":[{"title":"Default Title","offer_id":49776252027158,"sku":"Punkhouse-comet-book","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8002\/3318\/files\/punkhousebook.jpg?v=1740612371"},{"product_id":"artcore-fanzine-issue-43-w-zany-guys-party-hits-vol-ii-7-ep","title":"ARTCORE FANZINE ISSUE 43 w\/ ZANY GUYS “PARTY HITS VOL II” 7\"EP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eARTCORE FANZINE ISSUE 43: ZANY GUYS “PARTY HITS VOL II” 7\" EP Five song 7” EP of classic Arizona hardcore from 1983 on rare novelty black vinyl featuring the underground hits: “Hardcore” and “Paperboy Blues” with glossy 8 page booklet sleeve featuring; interview, photos, flyers, and all the original artwork. The original EP had four songs, you get five.\u003c\/span\u003e\u003c\/p\u003e","brand":"Dead Broke Distro","offers":[{"title":"Default Title","offer_id":49776253075734,"sku":"ARTCORE FANZINE ISSUE 43 w\/ ZANY GUYS 7","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8002\/3318\/files\/artcore_43_ad_square.jpg?v=1740612399"},{"product_id":"things-that-help-healing-our-lives-through-feminism-anarchism-punk-adventure-cindy-crabb-book","title":"Things That Help: Healing Our Lives Through Feminism, Anarchism, Punk, \u0026 Adventure (Cindy Crabb) BOOK","description":"\u003cp\u003eLiving in the margins of a culture she never felt comfortable in, Cindy Crabb (Doris zine) touches on her experiences with feminism, girl-gangs, abuse, and gender identity. With stories, essays, interviews, and more, Cindy writes with fierce honesty and compassion, exploring subjects like consent, abortion, death, self-image, shyness, identity, and anarchism‚Äîembracing the complexities of each, finding her anger, her voice, and the things that help in her struggles with addiction, mental health, and intense loss. Along the way she travels the world, helps start a women and transgender health center, and fights against the social norms that made her feel so trapped. Microcosm Publishing.\u003c\/p\u003e","brand":"Dead Broke Distro","offers":[{"title":"Default Title","offer_id":49776610017558,"sku":"ThingsHelpCrabb-Book","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8002\/3318\/files\/thingsthathelp-ccrabb.jpg?v=1740620898"},{"product_id":"burn-collector-1-9-book","title":"BURN COLLECTOR (Al Burian)- \"#1-9\" BOOK","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003eThe first nine issues of Al Burian's sporadically published and widely acclaimed personal zine. Beginning in the mid-nineties, Burian distributed his work through the tight-knit network of the DIY punk music scene. Burn Collector caught on because of its unusual content‚ writing blueprinted a post-punk persona that was smart, strange, political but not correct, attached to sub-culture, but striving for a connection to the world at large, and to the greater themes of human existence. Timeless stories and reflections on suburban boredom, cross-country travel, living without luxury, existential dread, and Black Sabbath, among other salient topics. The book first appeared in early 2000; it went through six printings, along the way garnering acclaim from readers, and inspiring more than a few to write and self-publish. Another generation of kids can now be moved by its message of hope, laughter in the face of adversity, and the beauty of stolen office supplies. Al played in Hellbender, Milemarker, etc.\u003c\/div\u003e","brand":"Dead Broke Distro","offers":[{"title":"Default Title","offer_id":49776816161046,"sku":"ALBURIAN-BOOK","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8002\/3318\/files\/burncollectorbook.jpg?v=1740624554"},{"product_id":"cometbus-56-a-bestiary-of-booksellers-zine","title":"COMETBUS #56- \"A Bestiary Of Booksellers\" ZINE","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003eThe 56th issue of Cometbus is a loving ethnography of New York City's wild, weird, and bearded used book trade. Aaron writes about his fellow book dealers‚Äîand their tribes‚Äîwith all the unflinching and generous powers of observation that he's applied to every subject. As he writes in chapter one, \"A book sale is a competition, after all, where knowledge, physical endurance, and speed all count. But like an early eighties hardcore show, it only looks violent and chaotic from a distance. Up close, where the action is, everyone is helping each other out.\" This Cometbus zine is also a love story‚Äîabout books and about people. Full of wordplay, dusty houses, and animals of all species. \u003c\/div\u003e","brand":"Dead Broke Distro","offers":[{"title":"Default Title","offer_id":49776816423190,"sku":"COMET-56","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8002\/3318\/files\/cometbus56_1.jpg?v=1740624559"},{"product_id":"indestructible-growing-up-queer-cuban-punk-in-miami-cristy-road-book","title":"INDESTRUCTIBLE: Growing Up Queer, Cuban \u0026 Punk in Miami (Cristy Road) Book","description":"\u003cp\u003eIn her Miami high school Cristy Road valiantly tried to figure out and defend her queer gender identity, Cuban cultural roots, punk rock nature, and mortality. In this illustrated novel, Cristy reminds us of the strength and ability of punk youth‚Äîfor addressing things like rape, homophobia, and misogyny. This is no exception; giving a voice to every frustrated fifteen year old girl under fire from her peers for being queer or butch or punk. Microcosm.\u003c\/p\u003e","brand":"Dead Broke Distro","offers":[{"title":"Default Title","offer_id":49776817275158,"sku":"INDESTRUCTIBLE-Book","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8002\/3318\/files\/indestructable.jpg?v=1740624590"},{"product_id":"i-was-a-murder-junkie-last-days-of-gg-allin-book","title":"I WAS A MURDER JUNKIE: The Last Days of G.G. Allin BOOK (Evan Cohen)","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003eI WAS A MURDER JUNKIE: The Last Days of G.G. Allin BOOK by Evan Cohen! Follow Evan Cohen on The Murder Junkies last tour with G.G. before his death.! this is the first book recess ever delivered,and most likely the first book yall ever read.damage with a capitol d! this here is the second edition! JIM KNIPFEL MUSIC ON THE ROAD WITH GG Today, Evan cohen is a 29-year old limo driver who, until recently, was also the bass player in george tabbs band, furious george. In fact, It was through tabb that cohen first met merle allin, brother of the notorious punk rock legend GG Allin. It was 1993, GG was fresh out of prison and merle, with his tattoos and his hitler mustache, played bass for GG's new backup band, the murder junkies. One night at CBGB's pizza parlor, cohen agreed to sign on as a roadie for what would become GG Allin's last american tour. \"I knew who he was. I knew what he did. I'd never been to one of his shows. I really wasn't a fan,\"Cohen said, when i asked how familiar he'd been with allin at the time.\"I wasn't put off by it, but it was nothing that I'd want to see in person, unless there were safeguards.\" Cohen was a 22-year old film school dropout who sort of, kind of knew what he was about to get himself into. To me, it was the opportunity of a lifetime staring me in the face. I had the time to do it-I was just finishing up college, which i had not done too well at. It was the end of april when this discussion happened. When merle said they needed a roadie, I thought, why not? I knew this was a great opportunity, and I jumped at it. I knew it was going to be something different and special and strange.\" While on the road, he strated taking notes. The result is I WAS A MURDER JUNKIE: THE LAST DAYS OF GG ALLIN(Recess Records, 128 pages, $18.99). The book is less about GG, though, than it is about cohen-a tour diary of what it is like to be a freshed-faced kid roaring around the country with one of rock 'n' rolls most notoriously feral(and fecal)icons. The idea to get a book out of the experience was already in his head before the band loaded up the van. \"Before I went on tour, I tried to presell it. spin magazine was interested, but they turned me down, literally, the day before i left. after i got back, nobody seemed interested. It was just a little project I worked on by myself, thinking, 'someday I'm going to get this out as a book.\" He eventually brought the manuscript to recess records-the california-based punk label that had released the furious george albums. They decided to give publishing a shot, and accepted the book. It was a wise move on their part: Taking on I WAS A MURDER JUNKIE makes them the publisher of the first official book written about allin. While there have been plenty of zines and websites and magazine articles together with plenty of promises of books-this is the first real thing. There have been mentions of him in books,\"cohen said,\"a paragraph here, a chapter there. But it's the first book dedicated to him. A lot of people confuse me with joe coughlin. he's the official biographer-he was working on it with GG while he was still alive. One of his challenges is that he's trying to encapsulate GG's entire life, from beginning to death, trying to contact every single person he knew and trying to cram every bit of information in there. Last I heard, a couple of years ago, he was at 300-some pages. It seems like every year he says the book's gonna come out, then it doesn't. I never really felt a sense of competition with(coughlin), because what he was doing was trying to get the whole man's life. What I'm doing is literally just talking about his last tour. I threw in some in some biographical stuff, just in case some people weren't familiar with the basic parts of his life.\" One of the first things i noticed while reading cohen's book was the distinct lack of rampant drug use. Now, I don't talk about my own time with allin much, figuring there are plenty of of other people out there talking about their time with him-but the one thing I remember was his utter fearlessness when it came to ingesting unknown chemicals-and huge quantites of known chemicals. It was mayhem, those days, a blur of speed and herion and pills and alcohol. But in cohen's book, the only drug, apart from alcohol, GG consumes is a simple bag of herion -until the very end, of course, when he overdoses in a lower eat side apartment. I asked if that was really all allin took that last tour. \"Yeah,\" he said. \"I think that's one of the ironies. I don't know if he lost the taste for it from being in prison about 14 or 15 months. the only other drug he did, which i didn't mention in the book, was some prescription valium. I think he traded a jacket for it. we'd get in the van to drive somewhere and he'd just pop a valium and sleep. i'm not sure if that counts as abuse, but it didn't really have any effect, either way. but those were the only major drug instances. that might've been one of the things that contributed to his death-maybe his body just wasn't ready to take all that on again, all at once.\" Cohen balked, however, when I suggested that perhaps-just perhaps-allin was slowing down a little bit, there at the end. i'd seen him take beatings that no human should've been able to withstand-but the stories in this book seem kind of tame. tame for GG, that is. he punches a few people, pulls some hair, starts a couple small fires, asks some girls to piss on him(at nearly every stop). but that's about it. \"Sometimes when I speak to merle, he talks about \"the good shows,\"some of the really, really wild things that happened in the early days,\"cohen said. \"but even with him maybe having slowed down at the old age of 36, there was still a feeling when he played of not knowing what was going to happen next. it was both thrilling and terrifying... it's something I haven't felt since i saw him last.\" Most of the book, though, takes place offstage-in the hotel rooms, the restaurants and the highways the murder junkies invaded in their rented minivan. and most of it is pretty quiet: mild brushes with confused lawmen, masochistic groupies and evil promoters. there's some hotel room-trashing and backstage hijinks, but one of the things the book does is present a picture of allin-albiet from a distance-as a human being, instead of the tasmanian devil he's usually portrayed as. here's a GG who worships johhny cash, is kind to his friends and helps out the odd stranger. Still, most of the book focuses on cohen himself-a bright young kid who finds himself slowly transforming into, well, a murder junkie, and discovers that you just can't get a good bagel in texas. \"The title, I WAS A MURDER JUNKIE, refers to me as much as it does GG, because the story deals with the both of us but I figured, I have to sell it as myself and him... people have said , 'oh, no one wants to read about you, they want to read about GG,'but how can i not mention myself? I always thought it was just as interesting, me this- I don't wan't to say naive-but this kid, throwing myself in the middle of all this for the first time in my life.\" I asked him if, with all the stories he tells, there was anything he chose to leave out. and more importantly, was there anything that recess thought was just too rough to print? \"There were minor stories that didn't work with the flow-me and some stripper trying to get it on in san francisco. things that were too distracting from the story. (apart from that) it's basically all there. I'm sure people will read it and be dissapointed. I neglected to mention when we went to a little nightclub in los angeles. nothing exciting happened, really. there was one of those almost almost-fights where a bunch of people postured and and nothing happened. why put this almost-thing in there and get people's up, just to be brought down?\" I asked cohen if he ran the book past merle-the man who controls the GG allin estate, charged with the mission of keeping GG's memory alive. \"I gave my original treatment to merle a long time ago, and he liked it. merle has said to me repeatedly,'christ, y'know, I bet there's stuff in there that I don't even remember.' he trusts me. The biograpical stuff I checked over with him.\" Which brought up a point I hesitated mentioning. it's no big deal, really, but I did find one mistake in the book- the circumstances surrounding GG's arrest and imprisonment in michigan. the woman who brought assault charges against allin wasn't beaten at a show, but rather, according to her claim held hostage and tortured for three days by allin and some of his friends. \"I never knew that,\"cohen admitted. then he counterd, \"there are a lot of people who ask me a lot of things about his past, or assume that i'm some kind of authority. I never claimed to be...people have contacted me on the internet, saying, 'wow, you're writing this book- did you know about this, this and this?' christ, I don't even know who all the original members of the toilet rockers were. I don't know these things. I know what I experienced. I know what I talked about with him.\" New York Press\u003c\/div\u003e","brand":"Dead Broke Distro","offers":[{"title":"Default Title","offer_id":49776817668374,"sku":"GGALLIN-BOOK","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8002\/3318\/files\/ggallin.jpg?v=1740624595"},{"product_id":"mutations-the-many-strange-faces-of-hardcore-punk-sam-mcpheeters-book","title":"MUTATIONS: The Many Strange Faces of Hardcore Punk (Sam McPheeters) Book","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003eHow can so many people pledge allegiance to punk, something with no fixed identity? In Mutations: The Many Strange Faces of Hardcore Punk, Sam McPheeters (Born Against) explores how a musical subgenre can have the power to connect the disparate identities of its listeners to create a culture. With his background working in the music industry, as the frontman of the legendary band Born Against, and being a published author since age twelve, McPheeters is uniquely positioned to relay the stories of how the punk scene is laced together by radical individuals. In this collection of essays, profiles, criticism and personal histories, McPheeters examines the intersectionality of punk in relation to mental illness, creative passions and the inherent synergism that drove him, and others, to punk as a genre and as a lifestyle. Rare Bird Books.\n\n\u003c\/div\u003e","brand":"Dead Broke Distro","offers":[{"title":"Default Title","offer_id":49776817733910,"sku":"MUTATIONS-BOOK","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8002\/3318\/files\/mutationsbook.jpg?v=1740624601"},{"product_id":"no-apocalypse-punk-politics-the-great-american-weirdness-book-al-burian","title":"No Apocalypse: Punk, Politics \u0026 the Great American Weirdness (Al Burian) Book","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003eWar seems to have frazzled the punks. That's an unusual turn of events considering punk is the subculture that gave us the phrases\"let's have a war,\" \"let's start a war,\" \"war on 45,\" \"my war,\" \"wargasm,\" \"war all the time,\" and so on. \"Rock n' roll is war,\" said the band Frodus; but you know, it really isn't. \"Rock n' roll is just rock n' roll,\" assessed AC\/DC, somewhat more accurately, and, while not necessarily noise pollution, it is, in the estimation of the Archers of Loaf, \"too bad that the music doesn't matter.\" Rock remains rock, war remains war, and, despite everything being subjective and meaning something else entirely from what it appears to under the tenets of post-modernity and end-of-historicism, the fact remains that having a lot of dead people is a terrible, terrible thing and having a lot of people voluntarily self-inducing hearing loss is a less terrible thing. Yes? We are all in agreement here? Al Burian is the author of the zine Burn Collector. From 2000 to 2007 he was a columnist for various music magazines and DIY publications, including Punk Planet, HeartattaCk, and the Skeleton. NO APOCALYPSE presents the best of these writings, collected in book form for the first time. Microcosm Publishing.\u003c\/div\u003e","brand":"Dead Broke Distro","offers":[{"title":"Default Title","offer_id":49776817897750,"sku":"NoApocBurian-Book","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8002\/3318\/files\/noapoca-burian.jpg?v=1740624606"},{"product_id":"punk-usa-the-roots-of-green-day-the-rise-fall-of-lookout-records-book","title":"Punk USA: The Roots of Green Day \u0026 the Rise \u0026 Fall of Lookout Records BOOK","description":"\u003cdiv itemprop=\"description\" class=\"description\"\u003e\n\u003cp\u003e\u003cstrong\u003eUpdated and revised second edition with new interviews and photographs. \u003c\/strong\u003eThrough hundreds of exclusive and original interviews,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePunk USA\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003edocuments the empire that was built overnight as Lookout launched a teenaged Green Day, sold millions of records, and rode the wave of the second coming of punk rock until it all came crashing down.\u003c\/p\u003e\n\u003cp\u003eIn 1987, Lawrence Livermore founded independent punk label Lookout Records to release records by his band The Lookouts. Forming a partnership with David Hayes, the label released some of the most influential recordings from California’s East Bay punk scene. Originally operating out of a bedroom, Lookout created \"The East Bay Punk sound,” with bands such as Crimpshrine, Operation Ivy, The Mr. T Experience, and many more. The label helped to pave the way for future punk upstarts and as Lookout grew, young punk entrepreneurs used the label as a blueprint to try their hand at record pressing. As punk broke nationally in the mid 90s the label went from indie outfit to having more money than it knew how to manage, and the label struggled as much with success as it did from any other difficulty. Kevin Prested chronicles it all even-handedly, through interviews and a careful combing of the records. This definitive book is perfect for anyone who is curious about the unlikely, improbable inside scoop on how musical careers are made and unmade. Microcosm Publishing.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Dead Broke Distro","offers":[{"title":"Default Title","offer_id":49776818225430,"sku":"Punk USA BOOK","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8002\/3318\/files\/punkusa2e_lg.jpg?v=1740624611"},{"product_id":"scam-the-first-four-issues-by-erick-lyle-book","title":"SCAM: \"The First Four Issues\" by Erick Lyle BOOK","description":"Scam was equal parts an introductory guide on how to get things for free and punk memoir. Youths experienced trainhopping, house shows, and cross country tours that sought out swimming holes. Community was sought and celebrated through generator punk shows on Mission Street, hunting for cans of beer on Easter, and Food Not Bombs. Angst was manifested while stealing electricity from lampposts, squatting in Miami, selling plasma, tagging freight trains, wheatpasting, spraying salt water into vending machines, returning stolen merchandise, and dumpstering as seen through the lens of a young punk. Scam has gone on to inspire a generation of imitators, the highest form of flattery.\u003cbr\u003e\u003cbr\u003e","brand":"Dead Broke Distro","offers":[{"title":"Default Title","offer_id":49776818323734,"sku":"SCAM-BOOK","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8002\/3318\/files\/scambook.jpg?v=1740624617"},{"product_id":"sophisticated-devices-make-no-mistake-jesse-michaels-sam-mcpheeters-book","title":"Sophisticated Devices\/Make No Mistake (Jesse Michaels \u0026 Sam McPheeters) Book","description":"\u003cp\u003eSophisticated Devices\/Make No Mistake is a two-story anthology by authors Jesse Michaels (Operation Ivy) and Sam McPheeters (Born Against). The first story takes on the perspective of a man recently released from prison navigating a hostile world. The second, features a chance encounter in the lobby of a therapist's office that sends the protagonist on an existential adventure. Buckle in and get taken on a ride by two profound authors!\u003c\/p\u003e","brand":"Dead Broke Distro","offers":[{"title":"Default Title","offer_id":49776818454806,"sku":"SophisticatedDevices-Mistakes-Book","price":14.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8002\/3318\/files\/jessemichaelsmcpheeters.jpg?v=1740624622"},{"product_id":"toxic-shock-records-assassin-of-mediocrity-book","title":"TOXIC SHOCK RECORDS: \"Assassin Of Mediocrity\" BOOK","description":"","brand":"Dead Broke Distro","offers":[{"title":"Default Title","offer_id":49776818913558,"sku":"TOXIC SHOCK RECORDS: \"Assassin Of Mediocrity\" BOOK","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8002\/3318\/files\/toxicshock.jpg?v=1740624633"},{"product_id":"burn-collector-14-book","title":"BURN COLLECTOR (Al Burian)- \"Fourteen\" Book","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003eIn Burn Collector #14 zine superstar Al Burian lays down 156 pages of truth, trouble, and everyman blues. Whether battling the cops in Chicago, essaying the frenetic nervous breakdown of city life, spilling the secret truth of all religions, or talkin' comix and punk shows, Burian does so with class, humor, and a timeless feel for language. Heavily illustrated, dense with stories, and ripped right from the headlines of Burian's hard, hilarious, rowdy life. Al played in Hellbender, Milemarker, etc.\n\n\u003c\/div\u003e","brand":"Dead Broke Distro","offers":[{"title":"Default Title","offer_id":49776946512150,"sku":"BURNCOLL-14-BOOK","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8002\/3318\/files\/burncollector14.jpg?v=1740626428"},{"product_id":"burn-collector-15-zine","title":"BURN COLLECTOR #15 ZINE (Al Burian)","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003eThe expatriated Al Burian reflects on a year spent living in Berlin, Germany. His wildly free-range topics include: freedom, happiness, animal liberty, Aristotle, modern dentistry, riots as rituals, uncomfortable proximity to drunken teenagers, and how to best color co-ordinate an outfit that includes a Black Flag T-shirt and a baby stroller. Plus: ‚Äúwhen you realize the freedom, an illustrated essay by Anne Elizabeth Moore. \"Burian is one of our generation's great storytellers, a wily and insightful observer of the human condition, says Davy Rothbart of Found magazine, and this zine is the best one yet, says Al.\u003c\/div\u003e","brand":"Dead Broke Distro","offers":[{"title":"Default Title","offer_id":49776952639766,"sku":"BURNCOLLECTOR-15","price":3.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8002\/3318\/files\/burncollector15.jpg?v=1740626505"},{"product_id":"cometbus-49-zine","title":"COMETBUS #49- ZINE","description":"\u003cdiv itemprop=\"description\" class=\"description\"\u003e\n\u003cp\u003eThis is a contributor issue of Cometbus. It's got a TON of stuff, including some gritty, experimental poems, an interview with Pat Wright of KALX and Gilman Street and one with Erik Zo about making messenger bags, stories by folks like Spam, Jess Hillard, Charlotte Subenhara, Samara Halperin, and Jeff Grimes, and art by folks including Shannon Wheeler. Altogether it's a deep dive into Bay Area culture of the turn of the millennium. This was the last issue published before the zine went on its 2004-2006 hiatus. Technically, it's long out of print. We were happy to find a few boxes recently to share with you til it's gone.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Dead Broke Distro","offers":[{"title":"Default Title","offer_id":49776952770838,"sku":"COMETBUS #49 ZINE","price":4.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8002\/3318\/files\/cometbus49_2.jpg?v=1740626510"},{"product_id":"cometbus-57-zine","title":"COMETBUS #57- \"NY Comics\" ZINE","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003eThe comics scene is thriving in New York, and comics play an oversized role in the city‚Äôs myth. But why? In this special issue of Cometbus we go door-to-door, uptown to downtown, asking the questions that other rags are either too informed or too polite to pose. We visit cartoonists like Gary Panter, Julia Wertz, Ben Katchor, Adrian Tomine, and Gabrielle Bell, but also comics scholars, publishers, shopkeepers, and librarians. Featuring beautiful illustrations by March artist Nate Powell and an unusual Al Jaffee interview that ties it all together in the end.\u003c\/div\u003e","brand":"Dead Broke Distro","offers":[{"title":"Default Title","offer_id":49776954278166,"sku":"COMET-57","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8002\/3318\/files\/cometbus57.jpg?v=1740626532"},{"product_id":"cometbus-58-zimmerwald-zine","title":"COMETBUS #58- Zimmerwald ZINE","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003eA teenager finds solace in a diner full of grumpy seniors during the heydey of San Francisco punk. It's a mythological place, full of ghostly archetypes, the aging veterans of scenes past and future. Reads like a novel, but is it fiction or barely disguised autobiography? Or is it the obituary of a movement? That's up to the reader to decide and Aaron to never let on. Either way, the backstory of the angry old woman glaring at you from the other end of the counter becomes a disturbing glimpse into your own future and distressing as this may be it's hard to put down or get out of your head.\u003c\/div\u003e","brand":"Dead Broke Distro","offers":[{"title":"Default Title","offer_id":49776954540310,"sku":"COMET-58","price":3.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8002\/3318\/files\/cometbus58.jpg?v=1740626537"},{"product_id":"cometbus-59-post-mortem-zine","title":"COMETBUS #59- Post-Mortem ZINE","description":"\u003cdiv data-content-type=\"html\" data-appearance=\"default\" data-element=\"main\"\u003eWhat are the successes and failures of punk and its institutions? What happened to a once-thriving punk underground that paralleled the mainstream in music, publishing, comics, and art? Aaron Cometbus embarked on a year-long quest for the truth, interviewing scene makers like the people behind Epitaph Records, Fat Wreck Chords, Bound Together Books, Left Bank Books, Thrasher, Interference Archive, Fantagraphics, the Center for Cartoon Studies, C-Squat, and many other friends, luminaries, artists, and troubled souls. This is Cometbus at its finest, casting a loose net over an era and giving it meaning that would otherwise slip right past the history books and out of sight. Newest issue back in stock!\u003c\/div\u003e","brand":"Dead Broke Distro","offers":[{"title":"Default Title","offer_id":49776954835222,"sku":"COMETBUS-59","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8002\/3318\/files\/cometbus59.jpg?v=1740626543"},{"product_id":"fluke-13-25th-anniversary-issue-zine","title":"FLUKE- #13 \"25th Anniversary Issue\" ZINE","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA love letter to Little Rock, the 25th Anniversary Issue looks back on that city's early '90s punk rock scene. Fluke #13 opens with a story from the editor, about discovering this scene while in high school. This is full of interviews with those who played a big part of early Little Rock punk—James Brady (Trusty), Fletcher Clement (promotor), Colette Tucker (she hung the flyers around town), Andy Conrad (Numbskulz, Five-O, 12ft6) and Colin Brooks (Numbskulz, Substance). Mitchell Crisp returns with \"Mitchell Crisp's Rainy Day Playlist,\" as does John Pugh with Zomby Fun Pages. This issue also features Arkansas native and rock n roll legend Tav Falco, with a 12-page spread on the leader of Panther Burns. 68 pages of Arkansas underground music history! \"In the late ‘80s, a punk rock scene began to grow out of an art space on the corner of 7th Street and Chester in downtown Little Rock, Arkansas. It switched hands and names, from Urbi et Orbi to DMZ to Nemesis then Mandrake’s before Henry bought the place, built a pizzeria and named it Vino’s. Most people outside of Little Rock won’t recognize most names within this issue, but the names are insignificant. What matters is the connection that was made between teenagers all over the city who found each other at the only “alternative” space Little Rock had at the time. I believe that’s what we all truly crave - a common bond. Something to grab onto and call our own. This bond that was formed on that corner has stuck and what was once a scene is now something much deeper and more meaningful. To me, punk rock has always been about building something and the greatest structure erected from it has been the friendships we’ve made, and we continue to make. It was built from the ground up. Fletcher Clement booked the shows, Colette Tucker hung the flyers and John Pugh and others published fanzines. James Brady, Andy Conrad and Colin Brooks played in the bands. Dozens of others did their part, from working in copy shops to taking out the trash at the end of the night. And then there’s the enigmatic Tav Falco! Rogue male, Falco grew up in Arkansas and transitioned to Memphis, where he formed Panther Burns in the ‘70s. Their first show outside of Memphis was at Burns Park in North Little Rock, Arkansas in 1979. Tav Falco is one of the truly original and romantic forces in American music - the voice that America lost and found. Not just a musician, Tav is a performance artist, actor, filmmaker, and photographer. He is presently living in Vienna and sometimes Paris.\" 68 pages, half size zine.\u003c\/span\u003e\u003c\/p\u003e","brand":"Dead Broke Distro","offers":[{"title":"Default Title","offer_id":49776955621654,"sku":"FLUKE-13-ZINE","price":4.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8002\/3318\/files\/fluke_13_ben_cover.jpg?v=1740626554"},{"product_id":"fluke-16-the-art-of-nxoeed-zine","title":"FLUKE- #16 \"The Art Of Nxoeed\" ZINE","description":"\u003cp\u003eFluke #16 ZINE- The Art of NXOEED - is an issue solely dedicated to James B. Hunt (NXOEED) and his art. Also included is a four page interview with James, where he reveals a clue or two on the whereabouts of hidden art, as well as how he got started and what motivates him today. 32 pages, half-size issue. All art by James B. 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Susan shares with us her vast knowledge and discoveries, including graffiti dating back to the early 20th century by legendary hobo A-No. 1.\u003c\/p\u003e\n\n\u003cp\u003eWe welcome back Gary Floyd (Dicks, Sister Double Happiness), who was featured in Fluke 15 in 2018. I had two friends submit interviews with Gary, this is the second one. Gary talks about growing up in Gurdon, Arkansas, moving to Austin and forming the Dicks, and touring with Nirvana with Sister Double Happiness.\u003c\/p\u003e\n\n\u003cp\u003eSergej Vutuc‚Äîphotographer, zine maker, skateboarder and musician now based in Paris, France‚Äîcontributes his skateboarding photographs that are like none other.\u003c\/p\u003e\n\n\u003cp\u003ebuZ blurr of Colossus of Roads fame writes about connecting with Bill Daniel in the early '90s, during Bill's search for Bozo Texino. buZ also contributed art for this issue.\u003c\/p\u003e\n\n\u003cp\u003eLinda Kite writes about her relationship with D Boon (Minutemen) and the Desolation Center shows around Los Angeles in the early to mid '80s.\u003c\/p\u003e\n\n\u003cp\u003eAlso in this issue you'll find more art and photographs as well as writings about skateboarding, music, art and friendship. It is my hope that this issue will inspire you to keep searching, keep creating and keep living through these troubled times.\u003c\/p\u003e\n\n\u003cp\u003e56 pages, half-size issue\u003c\/p\u003e","brand":"Dead Broke Distro","offers":[{"title":"Default Title","offer_id":49776956834070,"sku":"FLUKE","price":4.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8002\/3318\/files\/fluke_18_cover.png?v=1740626575"},{"product_id":"fluke-19-5-fugazi-lungfish-econochrist-monsula-zine","title":"FLUKE- #19.5 (Fugazi, Lungfish, Econochrist, Monsula+) ZINE","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIn 1990 in Little Rock, Arkansas, local punk Steve Schmidt set out to be in a band (Chino Horde), host a punk rock radio show on KABF (Adios Amerika) and publish a fanzine (Plaid). While Chino Horde and Adios Amerika achieved greatness in Little Rock and abroad, Plaid never saw issue 1. A year later, Jason White and Matthew Thompson stepped in to collaborate with Schmidt on Fluke issue 1, picking up where he left off with Plaid. Steve had interviews with Fugazi and Plaid Retina in the can, Jason interviewed Tim Lamb (of legendary '80s Little Rock punk fanzine Lighten Up) and Matthew submitted a few writings. They wrote dozens of punk and hip hop record reviews, shot photographs and sought contributors around town. There's content addressing the societal pressures of the Bible Belt onto the youth—military recruiters to religious crusaders and anti-abortionists. While not at shows or skateboarding, the three high school friends created the design and layout at Kinko's in North Little Rock, where local punk and friend Colin Brooks worked. With a very nice \"deal\" on copies, Fluke 1 was born. The following year, Fluke 2 was published soon after Steve moved to Eureka, California but eventually returning to Little Rock. Issue 2 featured touring bands, including interviews with Lungfish, Ben Sizemore (Econochrist), Bay Area bands Nuisance and Monsula, and Toronto's Phleg Camp. As things progressed, Steve and Jason channeled their energy into Chino Horde while Matthew continued publishing Fluke. Issue 14 (2017) contains 40 show flyers from 1988-1992, all from the one punk club in town. The early '90s Little Rock scene was centered around these shows, with local sweethearts Trusty as the driving force. The show flyers are the centerpiece here, completing Fluke 19.5: The First Two Years. 8.5x11, 108 pages, perfect bound, offset printed book.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Dead Broke Distro","offers":[{"title":"Default Title","offer_id":49776957128982,"sku":"FLUKE-19.5-ZINE","price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8002\/3318\/files\/fluke_19.5_front_cover.jpg?v=1740626581"},{"product_id":"fluke-19-zine","title":"FLUKE- #19 ZINE","description":"\u003cp\u003eFluke 19 is an exploration into the world of the pioneers of Mail Art. We traveled far and wide for interviews with buZ blurr, John Held, Jr, Anna Banana, Leslie Caldera, EF Higgins III, Ryosuke Cohen, Noriko Shimizu, Henry Denander and more. Bonus interview from 1977 with the Father of Mail Art, Ray Johnson. The stalwarts of Mail Art who have been active in the movement since the '70s and '80s are all here at your fingertips! 76 pages, half-size book. 2nd edition has a new cover and art within!\u003c\/p\u003e","brand":"Dead Broke Distro","offers":[{"title":"Default Title","offer_id":49776957260054,"sku":"FLUKE- #19 ZINE","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8002\/3318\/files\/fluke19.jpg?v=1740626586"},{"product_id":"fluke-20-the-big-mud-zine","title":"FLUKE- #20 \"The Big Mud (Mike Watt, Subhumans+)\" ZINE","description":"\u003cdiv class=\"product attribute overview\"\u003e\n\u003cdiv class=\"value\"\u003eThe Big Mud is the confluence of many tributaries such as Mike Watt, Subhumans, Marcher Arrant, Kimber Lanning of Stinkweeds Records, Robert and Karoline Collins, Jessica Mills, Jessie Lynn McMains, Matt Limo and more! 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As says Cindy in the zine's intro, \"Talking about our experiences with consent, our struggles, our mistakes and how we've learned, these are part of a much larger revolutionary struggle.\" Paperback Book version!\u003c\/p\u003e","brand":"Dead Broke Distro","offers":[{"title":"Default Title","offer_id":49776958275862,"sku":"CCRABB-consent-zine","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8002\/3318\/files\/crabb-consent.jpg?v=1740626608"},{"product_id":"new-wave-chicken-9-zine","title":"NEW WAVE CHICKEN- #9 ZINE","description":"\u003cp\u003eThis issue of New Wave Chicken is very special to me. I‚Äôve described this issue as a ‚Äúlove letter‚Äù to my friends. Issue 9 is a celebration of my incredible fortune of being surrounded by artist friends throughout my life. In this issue, I interview the people who left an indelible mark on my soul.\u003c\/p\u003e\n\n\u003cp\u003eMany of my friends in this issue are not household names. Maybe they should be, but that‚Äôs not up to me. However, there hasn‚Äôt gone a day where I haven‚Äôt thought or spoken about them. In some ways, these friends created me.\u003c\/p\u003e\n\n\u003cp\u003eThis issue features Hudley Flipside whose scribbles in Flipside were always a highlight. Michael Banks is an artist and musician, currently living in Michigan and creating new installments with his wife. Michael Peoples is a fascinating artist, creating wax figures from discarded crayons. I interviewed Eris Noren, who helped me with Licentia et Pax, my previous fanzine in the '80s.\u003c\/p\u003e\n\n\u003cp\u003eThis issue also features interviews with Ross Sewage (Impaled, Exhumed)‚Äîprinter extraordinaire‚Äîabout his artistic process. Also inside are interviews with Travis D. 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